Just because you use an out-of-the-box theme doesn’t mean you can’t make it something special.
And here are some I found for the more “type-ish” style:
Such hand-writing and type-style fonts are a little too busy visually, and doing all of “WritetoDone” in such a font would be pretty goofy.
Sidenote: One rule I like to follow in design is that too much eye-candy or too much “busy-ness” gives the eye nothing to focus on. It’s like a guitar player who always plays a million notes a second. After a while it just becomes a monotonous stream with no dynamics. Similarly with graphic design, things just become a mess when there’s too much going on.
A better route, or at least the one I like to take, is to be subtle and minimal for most of the design. Then you break out of the box in one spot with some color or crazy font. That spot then becomes visually interesting and gives the piece a certain dynamic, but the design as a whole still remains lightweight and easy to digest.
I’m all about such subtlety, and luckily so is Leo, so we wanted just a splash of these specialized fonts in the logo. The rest could be in a more commonplace font. Gill Sans is a very stable and sturdy font, so I went with that. In bold, which is even more sturdy. Plus I love Gill Sans. If Gill Sans was a woman, she would certainly be my wife.
One of the great things about the title “WritetoDone,” and any other time you get to work with little auxiliary words like “to” and “the,” is that you can use them for the dynamics we’ve been talking about. In this case, the dynamic spiciness came from a font called James Fajardo.
Here are some samples of how the combo of Gill Sans Bold and James Fajardo looked:
Leo and I both liked the subtle use of color and out of the ordinary font, so that was it for the title exploration.
Again, this being a writing blog, I produced logos with the following subject matter:
- Sheets of paper
- A feather writing quill
- A book/notebook
Each logo sample appears next to fonts, which helps the client visualize them in context instead of just floating alone in space. I always try to send as much context as possible. Actually, though you don’t see them here, I was sending Leo these logo samples placed atop screenshots of his site.
At this point, we were still exploring font styles, so here are the logos I produced alongside some font choices:
Sheets of paper logos
I really liked that top one but it was a little amorphous and nondescript. (I don’t know what those words mean but it makes my parents proud when I say stuff like that.)
Feather Quill logos
I am still completely and totally in love with the top and bottom samples above. Especially the orange paper with the feather. I’m determined to use it somewhere so…keep your eyes open and maybe it’ll show up on the web someday.
Leo liked the final, more photo-realistic notebook on the bottom.
Final Logo and Header
The combo of the Gill Sans Bold/James Fajardo fonts, and the notebook/pen icon worked pretty well.
Except for one thing. Having all the text and the icon in one horizontal line stretched it out too much, pushing it into the tagline (which isn’t shown here, but can be seen on the site). We stacked the words to give it some punch and break it apart from the tagline. It worked perfectly and what you see below is the final version of the WritetoDone header (minus the tagline, which was a slam dunk as we just font-matched the Gill Sans Bold).
To see the full logo/header in place, and to read Leo’s brilliant work, head over to WritetoDone and check it out.
I’d also like to give a public thanks to Stephen Smith of HDBizBlog for getting Leo and I in touch with each other.
He earned a 10% commission for his referral, which I should mention is standard policy here at Charfish Design. Anyone, and I mean any man, woman, child or amoeba who refers work my way earns 10% of the final project cost. It’s free money for you, so send your friends and family here and let me know.
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